Archive for February, 2010

neurosonics

Friday, February 26th, 2010

Holographic Drumkit and Turntables test.

DRUMS: WILL CLARK
TURNTABLES: JFB
HEADS: BEARDYMAN

Grindin’

Thursday, February 25th, 2010

Nobody Beats the Drum – Grindin’

Stop Motion Animation ‘Grindin”

Director: Rogier van der Zwaag
Music: Grindin’ by Nobody Beats The Drum
(available on the EP ‘Focus’ out on Satan’s Circus (link))

check the making of:
http://www.youtube.com/watch?v=XBqxjv…

This sequence of 4085 photo’s was patiently created by Nobody Beats The Drum’s VJ / visual artist Rogier van der Zwaag.

everything is green screen

Friday, February 19th, 2010

Stargate Studios’ ( http://www.stargatestudios.net ) Virtual Backlot Reel 2009.

interactive cd cover

Tuesday, February 16th, 2010

Hubero Kororo designed this interactive CD cover for the band Uceroz. When you open the CD packaging on the side, ink is set free and bleeds into the cover of the CD.

found at yatzer

the Amen Break

Monday, February 15th, 2010

A 20 minute documentary on the Amen break. Touches on copyright and culture issues surrounding sampling & remixing. Argues that this break has now become part of our music/cultural subconcious.

Google’s Liquid Galaxy

Friday, February 12th, 2010

Google’s Liquid Galaxy is engineer Jason Holt’s 20% time project, a wraparound view of 8 LCD screens providing a truly immersive experience of Google Earth and Street View.

T-SHIRT WAR

Thursday, February 11th, 2010

We changed shirts over 100 times each, taking individual pictures of each unique shirt. The designs on the shirts are not photoshopped. They are real shirts for each frame of animation. The video was exported at 30fps, while the T-shirt animation moves at 6fps (with a few exceptions where it moves faster) So, for each shirt, we took 5 pictures, so the animation of us (Rhett&Link) moves at 30fps, but the T-shirt animations move a bit slower. There are a few places where the motion seems so smooth that it looks like video. That’s because, in those parts, there was no changing in T-shirts, and Joe used burst mode to capture the frames, making it look very smooth.